Available now: Autobook
This is the website of Büro Otto Sauhaus.
Katalog für die Ausstellung ›Exitus – Death, Grief and Melancholy‹ in Oslo, kuratiert von Claudia Reinhardt.
Catalogue for the solo exhibition "Logik" at Gallery Rudolfinum in Praha.
Künstleredition von Tatjana Doll, erscheint anlässlich der Ausstellung 'Neuer Weltatlas' in der Berlinischen Galerie, die anlässlich der Verleihung Hannah-Höch-Förderpreises 2016 an Tatjana Doll stattfindet.
Exhibition catalogue. 112 pages, 32 x 23 cm. Published at Snoeck.
Nationwide campaign; call to participate in the antiracist parade on September the 16th in Berlin
Begleitpublikation zur großen Ausstellung des Videokünstlers Billd Viola in Hamburg.
Imagekampagne für die Berliner Tanzszene.
Catalogue, poster, printed matter, visual identity for Buried in the Mix. The exhibition explores the ways in which sonic cultural forms, both material and symbolic, are produced, circulated and exchanged across geographies, traditions, and digital media.
CI für das Büro für Ausstellungen und Soziale Plastik, geführt von Olga von Schubert und Mira Frye.
Logo für die Mohamad and Mahera Abu Ghazaleh Foundation in Amman, Jordanien, Teil der CI, die Drucksachen und Website umfasst und parallel zum Aufbau der Stiftung erweitert wird.
Visual identity for the 60th Berlin International Film Festival. The poster lists every title of the approx. 15000 films ever shown at the festival. Each of the other products shows a 1 to 1 detail of the poster.
Submission for the Berlinale CI pitch 2012.
Logo design for a series of publication by the film university Babelsberg Konrad Wolf in Potsdam.
Marketing materials for the graduate show of the MFA in Medium and Material Based Art at the Oslo Academy of the Arts, curated by Jennifer Allen. The catalogue can be taken apart into single folders – one for each student – while the cover serves as poster for the show.
Encyclopaedia. A cooperation with the Library of Classification, Organisation & Standardisation of Subjects and Objects, London. Published by Pens on Fire Press (ibid.).
Poster announcing the German Days in Rostov-on-Don in october 2014. A cultural event organised by the German Academic Exchange Service (DAAD), the German embassy in Moscow and the Rostovian university SFedU.
The Cyrillic typography is a custom made creation based on letters of the latin alphabet visualising the theme of the event.
Folding poster / mini catalogue accompanying a Jonny Star solo show in Berlin.
Party invitation. ›Star type‹, the latest type face designed by Sarah Lamparter is used here the first time. The occasion was the party by Tatajana Doll, Eberhard Havekost, Sarah Lamparter and Bianca Leidiana da Silva Morais. Printed in our own print workshop.
Poster announcing a symposium on future energy sources prompting an open-minded approach. ›Cat is the most beautiful form of energy‹ (Energy Animals, Vol 2, Brussels 1968)
A few examples to show the identity of the more experimental stage of the ›German Theatre Berlin‹. This stage has little to no budget at hand. All printproducts are actually copyproducts and reproduced at the local copyshop.
Artist book showing work by Tatjana Doll, that disputes with isotypes by Otl Aicher amongst others. Printed with a specially for this project rebuilt Xerox, which works with a oil-, silicone fixation that formally reproduces the enamel (on canvas). The book is black and white, visibly thread bound and published by the Verbrecher Verlag. In parallel to the publication a type face – consisting of the 26 paintings ›Pikt_Isotype_A — Pikt_Isotype_Z‹ by Doll – will be published.
Monographie über das Oeuvre der Künstlerin, erschienen im Distanz Verlag.
Neue Website der tollen Bar Babette in der Karl-Marx-Allee.
A3 Handout to announce the reading of Bino Byansi Byakule and Turgay Ulu. Risoprint, edition of 1000.
Artist book. Over 25 years Frank Nitsche has been building up a picture archive which is the foundation for his work as a painter. Seven out of eleven photo albums are depicted in this publication. The book has the same size as the albums, it has 470 pages and weighs over 4 kilograms.
Catalogue commissioned through Galerie Gebr. Lehmann and Staatlichen Kunstammlungen Dresden on the occasion of Eberhard Havekost’s exhibition at Dr. Bhau Daji Lad Museum in Bombay, India. Published by Distanz Verlag, 2012.
A collection of letters by Croation filmmaker, author, artist Vlado Kristl. Edited by Wolfgang Jacobsen, published by Verbrecher Verlag.
Image broschure for an alternative atelier space project to be built in Berlin-Wedding.
Poster advertisment promoting the Autocenter friends association.
Jubilee edition. Three-volume edition on Gerhard Lamprecht, founder of the Deutsche Kinemathek. This books portraits him as film director, collector and chronicler. Published on the occasion of the 50th birthday of the Deutsche Kinemathek.
Dieter M. Gräf: Die große Chance / Maudach-in-Peking (mit Nina Zlonicky)
Publikation anlässlich der Ausstellung Das, was bleibt bei Port25 — Raum für Gegenwartskunst in Mannheim. Mehr Info unter diesem Link zu → Autobook.
Visual identity, Naming and Signet, merch products for the agency of Berlin-based photogapher Franziska Rieder. Products include business cards, letterheads, compliment slip and website. Through the sytematic depiction of the offered goods next to contact details etc. FFR is characterised as directly as possible. Honest Designing Award 2012; published in ›Transparency and Democracy in Design‹, 2012.
Band 15 der Reihe über Filmliteratur (Filit) im Verbrecher Verlag.
Corporate Identity for an Austrian Biotech-Start-up.
Publication by the architects Brandlhuber+ Görg, Ivanda, Viereckel on the topic of social housing. Published on the occasion of ›How soon is now‹, a show at Galerie Judin, September 2014.
Dieses Buch über Gregor Schneider erscheint anlässlich der Ausstellung mit dem gleichen Namen, einer Gregor Schneider Retrospektive in der Bundeskunsthalle. Ulrich Loock ist der Herausgeber. Es ist ein besonders gutes Buch, mit vielen sehr interessanten Informationen, viel Text und 350 Bildern über alles mögliche was Gregor Schneider seit seiner Pubertät für Kunst gemacht hat.
Ein super Logo
Exhibition design for the the first Israeli artist shown at the National Gallery in Berlin: Moshe Gershuni.
Submission following an invitation to a pitch for the key visual of a conference to be held by the Federal Cultural Foundation in June 2015 in Cologne.
Wissenschaftsfernsehen. Slideshow für die Probebühne 7 des Humboldt Lab Dahlems über Möglichkeiten des Ausstellens, recherchiert und entwickelt von Nicola Lepp und Nina Wiedemeyer.
Coffee-table book. A documentation of Berlin’s nightlife over the last fourty years. With ca. 500 images on 304 pages; published by Metrolit.
Website für die Ausstellungshalle Autocenter mit einer Datenbank, die neben aktuellen Inforamtionen auch alle bisherigen Ausstellungen dokumentiert.
Exhibition design for a show of author and film director Alexander Kluge at Deutsche Kinemathek.
Exhibition directory of all 160 Autocenter exhibitions that took place since the foundation of Autocenter in 2001. ›(…)Designed with the austere clarity of an archive, the book constitutes a sort of database of the art made in Berlin during the first decade of the new century.(…)‹ wrote Distanz Verlag.
Leaflet accompanying the exhibition ›Wunderkammer Charíté‹ by photographer Anja Nitz at the Veterinary Anatomy Theatre, Humboldt Universität Berlin.
Book documenting dreams and installations by artist Barbara Breitenfellner. Published by Verbrecher Verlag.
Invitations / celebrity cutout puzzle. ›Gäste‹ (guests) is a series of interim events that take place every 2nd month in one of the rooms in the former Kindl Brewery in Neukölln, Berlin. With the last one, the 6th event, the transformation of the brewery into a museum for contemporary arts will be completed and all 6 invitations combined will create the silhouette of the complete building, the logo of the museum.
Book cover for »Manifest der Vielen« (manifesto of the many). »Manifest der Vielen« is the answer to Thilo Sarrazins »Deutschland schafft sich ab. Wie wir unser Land auf’s Spiel setzen.« (Germany eliminates itself. How we jeopardize our country.) It is written by 30 authors with »real« migration background and a huge success.
Erscheinungsbild für die Autocenter Summer Academy – ACSA 2015.
Publication accompanying a show by Alice Channer, Spiros Hadjidjanos, Seth Price and Paul Sharits at Future Gallery in Berlin. Curated by Ory Dessau.
Monograph showing portraits by Hans Casparius, a renowned photographer of the Weimar Republic. Casparius's photographic estate is administered by the Deutsche Kinemathek that published this book in cooperationn with edition text + kritik, 2014.
New CI for Galerie Gebr. Lehmann.
Visual identity Eberhard Havekost’s exhibition ›Ausstellung‹ (engl.: exhibition) at the Staatlichen Kunststammlungen Dresden. What is announced above the entrance of the museum is what you get: ›exhibition‹. The leaflet for the ›exhibition‹ follows the same principle. It shows what the title promises: the ›exhibition‹.
Sample for the book design developed in 2001 for the Verbrecher Verlag fiction series. More than 100 books have been published within this series until today.
CI for an exhibition at Hamburger Bahnhof comprising posters, invites, various ads and a video teaser.
CI for the Autocenter Summer Academy – ACSA 2014. Products include poster, website, print, advertisements.
Poster for Mjunik Disco’s »Mjunik Dontstop«. Start of a series of hypnotic posters.
The series ›The journey is the destination‹ documents the work that goes into the production of something but stays invisible in the final product. The latest issue contains 623 emails recording the making of the catalogue ›Eberhard Havekost in India‹.
Erscheinungsbild und Katalog für die Sonderausstellung ›Im Dickicht der Haare‹ in der neu eröffneten Grimmwelt Kassel.
Artist's edition by Joep van Liefland. Video tape art, prduced in cooperation with Herta Druck. Risograph on paper and laser print on golden labels, shrink wrapped. 26 pages, saddle stitch bound. Available on request. Price: 9,50 Euro
A Song For Europe, curated by Thibaut de Ruyter for the "Collecting Europe" Festival at the Victoria & Albert Museum London.
Poster invitation to a future show by painter Frank Nitsche.
Faltblätter für die Ausstellungsreihe ›Solo for One‹, in der junge Künstler/innen einen Tag lang in der Bar Babette ausstellen.
Glossy magazine. Re-Launch of the Be-Magazine for Künstlerhaus Bethanien Berlin.
Website for the Fellow Me! The International Museum Academy Programme, part of the International Museum Fellowship Programme by the German Federal Cultural Foundation functioning both as information portal and exchange platform. Lettering by Rimini Berlin. Code by Tom Roscher.
Catalogue published on the occasion of Eberhard Havekost's solo show at Museum Küppersmühle Duisburg.
Programme, invitation and poster all at once. Choreographer and programmer Mark Coniglio brought his piece ›Loopdiver‹ from New York to Berlin. He filmed motion sequences, he then took apart, looped and put back together. The result was the dancers’ template. Everyone working on this piece agreed: ›Loop = Death‹.